Lamp L01

2023-2024
N/A

The L01 table lamp thrives in daylight as well as evening light. A canvas where the irregular glass surfaces do something with the light, whether it comes from inside or outside. Both general and special, L01 has been carefully designed to be able to stand both here and there and dress a bookshelf as well as a dining table, bedside table or as an independent object.

Exhibition

2023
Oslo, Oslo

The digital collage, "Badeklippen junikveld" which illustrates 109 Badeklippen, has been selected for the exhibition "The hand and the machine" at the National Museum, Architecture

107 Timber Temple

2020
Sirdal, Agder

A mountain cabin for use by several generations through a winter-covered snowy landscape or summer among the birch leaves.

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A strong wooden structure in solid pine ties up the main cabin and the structure becomes the aesthetic center of gravity both inside and outside. An accordion panel on the second floor plays with the light and plays with the barn motifs that the mountain area from here onwards is becoming more and more familiar with. A concentrate of mountain motifs.
With few exceptions, the entire cabin is built with materials from local sawmills. The point foundations demonstrate a light, delicate sensitivity to the landscape and from here the cabin rises in stacking and gate construction before breaking up into a lighter, less constructive expression with the "accordion panel" on the second floor.

103 Furniture

2019
Stavanger, Rogaland

Tallboy SK01 designed for the renovation of an older wooden villa in Stavanger as a room divider between the kitchen and dining room.

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With a geometric repetition, the otherwise simple piece of furniture is refined enough to tie together new handles and old surfaces in the home. The lower shelf section faces the kitchenette, while the middle section with drawers and other shelf space faces the dining room. Chest of drawers KO01 in the same series is, like the high cabinet, made of pine.

103 Paradis

2019
Stavanger, Rogaland

Total renovation of a wooden villa from 1913 in Stavanger. With a focus on removing clutter from over a hundred years of remodeling and changes and uncovering the strengths of the building and the materials.

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At the same time, new, solid measures are being introduced to create a well-functioning home for a young family with children.
A cross plan is established that creates a continuous look along and across the home. The solution alternates between open, airy spaces and small places to retreat, directed by a central staircase that forms the pivot point of the house.
Existing beams and new construction support the material quality in the building. This also applies to the original wooden floor, which was of high quality and was dismantled, the floor joists straightened, and then the floor laid again before sanding. All fixed fixtures designed and built for the project.
Published in Nytt Rom, nr 2, 2019

120 Barken

2021
Fetsund, Lillestrøm

A chipboard-clad, curved roof, a museum building, stretches along Glomma, peeks forward and disappears again behind the trees.

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Like the church spire on the other side of the river, but here a horizontal marking. The horizontal which emphasizes the river, the wetland, the timber and the landscape, which occupies the plot in the best possible way and makes use of the beautiful surroundings.
These consist not only of Glomma's meandering water surface or the large tracts of forest, but also smaller woodlands, clumps of trees, the luxuriant and disheveled bush and scrub. We can call it distant and close, large and intimate. Builders try to best take advantage of these qualities in a wide variety.

117 Rammed earth

2020
X, Norge

A map of nine tiles tries to create a concentrate of Norway, with coastal landscape, mountain home, inland and fields. Nine participants each choose their route and here they must build something, primarily from the resources found on the route.

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The project was initiated to see other solutions for sustainability than hitec and creative calculations. The question was, what might real sustainability look like?

116 Snap!

2020
Oslo, Oslo

The project aims to connect the future, present and past.

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The history of the port industry together with the urban needs of the port city, lie as a hub between Akerhus fortress and the new cultural institutions and housing estates. At the same time, there must be something new, something the city has not yet met, something it hasn't had before - new stories.
The museum at the center of the cultural axis, at the meeting with the Oslo Fjord. While a new district was built around it, this wharf lay untouched and raw. A place for those who wanted to swim in the city, but didn't want the public life on Sørenga, for tanned fishermen with bleached caps in March, salarymen, for conversations between couples. This room has something that Oslo does not otherwise have, immediate and uncurated, open and intimate. It takes some strength to stand here to hold on to these qualities. Both site and program require a strong and robust museum building. Snap!

109 Badeklippe

2018-
Stavanger, Rogaland

A small mountain with great value

An initiative originally intended for Stavanger Municipality.

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With reference to the area's beautiful rocky outcrops and cliffs, a diving tower and a sauna are created in a sea bath that plays in layers with the qualities of the surroundings and creates a focused, unique bathing experience.

103 Kitchen K02

2019
Stavanger, Rogaland

K02 designed and built for Paradisveien as a handcrafted, stylish kitchen for the old wooden villa.

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A linseed oil-burnt steel framework lifts the kitchen free from the floor and a small difference in depth means that it can stand out clearly against the black fronts.

097 Skomakerriket

2016
Bergen, Vestland

The new warming room at Skomakerdiket uses traditional construction methods and creates a situation that makes the water surface accessible.

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The rationale behind the laft's structural properties is used to create a building with strong cultural appeal in a new design language. Like old storehouses, Skomakerriket is lifted from the shallow water by being placed on stone blocks that are fixed in the bedrock.

095 Døyr fe

2015
Oslo, Oslo

What should a new Viking Age museum be? We believe it should stand as a symbol, convey a story and take the museum guests on a journey.

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The Viking Age Museum proudly stands in continuation of existing axes, clad in concrete shells with associations with Viking Age ornamentation. As Nordic icons, Oseberg and Gokstad are lifted into a sacred main room and allowed to float above the main exhibition. An open plan, characterized by the "sarcophagus" that houses Gokstad and Oseberg, gives visitors the opportunity to walk around the ships and see them from all angles in surroundings that highlight their uniqueness. The new symbol ties two historical museum experiences together by facing the main entrance towards the Folkemuseum. A collaboration with